A group of Liberty High School's alumni are preparing for their fifteen-year reunion when the death of one of their most beloved teachers starts a chain of events filled with secrets and revenge no one expects.

在美国南部，一对实施银行抢劫犯罪的情侣在地下世界中找到了一个某种意义上的避难者。

Designed to guide Chalice through the challenges of growing up in a volatile world, BOB confronts more and more of the conflicts in Chalice’s life on her behalf, while Chalice grows increasingly escapist. As Dr. Wong begins to favor the BOB side of his daughter, and as BOB threatens to do the job of living Chalice’s life better than she can, Chalice jealously wonders: what is left for her classic human self to do?

In the wilds of arctic Canada, a young filmmaker desperate to leave her past behind meets an alluring local girl who changes her life. A gritty journey through the depths of devotion.

After passing the resume screening for the first time, Gye-rim prepares for a job interview. All of a sudden, he gets dumped by his girlfriend A-yeong who is also one of the members of the study group for the interview. They carry on with the study as planned to get the job, anyway.

Cinema Study is a reworking of images and sounds taken from Orson Welles landmark film Citizen Kane. The piece breaks the frame into multiple smaller rectangles, each with short video and audio samples from the original film. Part of the activity of the viewer seems to be the activity of keeping track of the images, which pop around the screen, and how they relate to the sounds. All of the sounds in the piece are in a precise synchronous relationship with the images on the screen. The original narrative film breaks down almost completely, and becomes an almost pure visual and musical experience. Call it Citizen Kane the re-mix.

Synopsis 　　Using 16mm. single frame photography, this vibrant short was filmed in the wetlands of the Niagara Escarpment, a world biosphere reserve. 　　Light Study is a poetic examination of the wetlands, forests, and ecosystems of the Niagara Escarpment. Meticulously filmed over several seasons, it explores the unique landscape of the Bruce Trail using 16mm single frame photography. Here, nature presides over an ephemeral human element, its primordial essence both medium and agent of light's eternal change. Soundtrack composed by Graham Stewart, member of the experimental music collective Viosac.

After the justice system fails the survivor of a brutal, racially-driven sexual assault, she becomes a motorcycle-riding, ass-kicking vigilante who takes on the attackers of other women who've suffered the same fate.

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Each of the six subjects, Lily McAlevey, Michael Q. Schmidt, Carol Hannan Mulcahy, Michael Mallers (holding the young Gavin Muckey in his arms), and Lillian Centeno are filmed in slow motion, floating upward then descending down to the earth, where they bottom out in gravity's clutch. Yet each person is magically stationary. They do not move an inch. All that moves is their skin, cellulite, muscles, bones, and expression, creating a disturbing yet beautiful shift in body mass and emotion. Even the background stays perplexingly still. The total effect is that of a moving painting. This slow motion study reveals the shocking effects of gravity upon our body. What is normally missed in the blink of an eye, is poetically recorded in extreme slow motion, as gravity takes hold and pulls the body down to earth, causing the skin, cellulite, muscles and facial expression to sag down, with a weariness, as if the subject has suddenly aged thirty years. It appears like a special effect, the force ripples from the legs up, turning the body wrinkled and saggy, with a worn, older face that is defeated and depressed. Then the exact opposite effect and emotion overcomes the subject as they are made weightless and set free. We observe the body becoming youthful, rejoicing in it's expression and flawless skin texture, as it soars away from the earth. All physical and emotional expressions seem to float effortlessly upward in a positive, beautiful direction. The lighting and color palette is created by a strong heavenly top light, used by Renaissance masters, which dramatically exposes the flesh as if it were moving brush strokes and reemphasizes the relation with the heavens, gravity and sheer weight of the world. This emotional shift from optimistic youth to depressed old age provokes a very strong, emotional effect. Therefore, each person interacts with a simple, yet symbolic prop in order to gain more depth into this radical emotional shift.